Friday, 23 January 2015

Exhibition Programmes | Curating Lab: Phase 03 [31 January]

Curating Lab: Phase 03
Date: Saturday, 31 January 2015
Time: 10am - 6.30pm
Venue: NUS Museum

Free admission with registration at clabnusm.peatix.com

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The following series of programmes are presented in conjunction with Curating Lab: Phase 03, a group of  three exhibitions put together by participants of Curating Lab 2014.

Schedule
10am                Pictureshow: Nodes of Looking
11.15am           Tea reception
11.30am           Pictureshow: Nodes of Looking (continued)
12.45pm
          Break
3pm
                Pulp: A Short Biography of the Banished Book
4pm
                 Notes from the (under)ground

10am - 1pm | Pictureshow: Nodes of Looking
in conjunction with Pictureshow

Speakers
Stefano Harney, Ground Provisions collective
A/P Stuart Derbyshire, Dept of Psychology, NUS
A/P Maurizio Peleggi, Dept of History, NUS
Shubigi Rao, artist
Kannan Chandran, publisher (moderator)

Pictureshow: Nodes of Looking is an attempt to spark cross-disciplinary conversations about perception as a means of knowledge production. This mini-lecture series bring together speakers from various fields of study and aspires to nurture a comfortable and constructive space for ‘looking’ from multiple vantage points. Through an exposure to multitudinous nodes of perception, participants are invited to explore ‘looking’ beyond its literal sensorial quality and inspire meaningful conversations about the diverse manifestations ‘looking’ can take. Expounding on different registers afforded by the neurological, historical and material, the symposium provides an occasion and platform for the unpacking of various perceptual issues beyond the artistic sphere.

3 - 4pm | Pulp: A Short Biography of the Banished Book
in conjunction with Shubigi Rao: Exquisite Corpse
with Shubigi Rao, artist


Pulp: A Short Biography of the Banished Book is a decade-long film, book and visual art project about the history of book destruction. Join Shubigi Rao as she shares her preliminary interviews, observations and vignettes from ‘Pulp’ as she visits public and private collections, libraries and archives around the world to retrace the disappearance of ideas long gone.

4 - 6.30pm | Notes from the (under)ground
in conjunction with Shubigi Rao: Exquisite Corpse
Speakers 
A/P Farish A Noor, S. Rajaratnam School of International Studies, NTU
A/P John Miksic, Dept of Southeast Asian Studies, NUS
Koh Nguang How, archivist and artist
Yu-Mei Balasingamchow, writer and independent curator

MACBETH: […] I have no spur
To prick the sides of my intent, but only
Vaulting ambition, which o'erleaps itself
And falls on the other. (1.7.1)
William Shakespeare, Macbeth

Tread through a labyrinth of vault-less ambitions as we trawl through 700 year-old garbage, b-grade adventure stories, tabloid junk, material assemblage and inert email threads. At times a roll-call, a reportage, a reconstruction and restitution, this session examines the outliers of culture — civil waste, popular paraphernalia, itinerant memories.


***

About the exhibitions
Curating Lab: Phase 03 presents three exhibitions put together by participants of Curating Lab 2014 working with a selection of artists: Song-Ming Ang, Chun Kaifeng, Amanda Heng, Kim Lim, Matthew Ngui and Shubigi Rao. Situated in tandem with one another, the exhibitions may be seen as a constellation of divergent views and curatorial interests glimpsed from the works and practices of these six artists. Building upon the potentials of multiple perspectives that these three exhibitions point towards is also the very porousness of exhibitions themselves in facilitating such encounters between one another.
For more information on Curating Lab:
facebook.com/curatinglab2014
curating-lab.blogspot.com 


Shubigi Rao: Exquisite Corpse combines a selection of Shubigi Rao's work with items from her personal library, and material that has never been exhibited publicly. "Waste", in Rao's work — as a material presence, underlying poetic logic, and anxiety — becomes a way of framing her oeuvre and process, and forms the exhibition's curatorial provocation. At once a kind of monologue and dialogue, a coded silence, and a cacophonic game of cadavre exquis, Shubigi Rao: Exquisite Corpse invites the entanglement of old and new voices as audiences engage in the exhibition's premise of intertextuality, spectrality, hidden layers, and remainders.
Curated by: Luca Lum, Raksha Mahtani and Chua Ying Qing.

Pictureshow seeks to spotlight the act of looking as the primal means of perception and knowledge acquisition. Assembling works and materials which have since grown distant from the stability of the canvas, the painting, and the two-dimensional that the word 'picture' is so comfortably associated with, this exhibition asks: How has the relationship between artistic expression and the pictorial mode evolved over time? By unhinging the habitual mode of seeing a picture with works and materials that generate their own definitions about representation, Pictureshow contemplates the image as mediator in the relationship between artistic production and consumption. The exhibition features the works and materials of Chun Kaifeng, Kim Lim, Matthew Ngui and Song-Ming Ang.
Curated by: Selene Yap, Cheng Jia Yun, Euginia Tan and Wong Yeang Cherng.

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