Exhibition Programmes | Curating Lab: Phase 03 [1 February]
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| Telok Kurau Studios |
Time: 2 - 6.30pm
Venue: #01-109, Telok Kurau Studios, 91 Lorong J Telok Kurau
LIMITED TO 25 PAX PER SESSION.
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The following series of programmes are presented in conjunction with Curating Lab: Phase 03, a group of three exhibitions put together by participants of Curating Lab 2014.
Schedule
2pm Shifting Representations
4pm Tea reception
4.30pm Traversing Spaces
2 - 4pm | Shifting Representations
in conjunction with Conditions of Production
Speakers
Lina Adam, artist
Wang Ruobing, artist and independent curator
Dr Margaret Tan, Tembusu College, NUS
In Shifting Representations, three speakers will share about their experiences in the arenas of the personal and public as creative producers, and discuss the shifting roles and representations stemmed from these changing contexts. With an open view towards what constitutes creative production, the conversations will focus on the multiple roles within and outside different commitments that women artists hold - as mothers, daughters, educators, artists - and how these roles determine or affect artistic production. By discussing these multiple roles and going beyond the public view of an artist or performer, we may glean insight into different representations of the ‘artist’.
4.30 - 6.30PM | Traversing Spaces
in conjunction with Conditions of Production
Speakers
Tan Liting, theatre practitioner
Chu Chu Yuan, artist
Raksha Mahtani, researcher and theatre practitioner
Traversing Spaces deliberates on the artist as citizen, tapping on the experiences of arts practitioners who seek to innovate and transform perspectives around space. It will reflect and expand on the subject of space beyond the physical, exploring its numerous complexities in the realms of the ideological, socio-political and the experiential. Delving into forms of civic engagement stemmed from their artistic practices or experiences in the creative sphere, the speakers may discuss views within civil society, the interplay between the public and private, and the shaping of communities.
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About the speakersLina Adam is a multi-disciplinary artist and has used various mediums such as performance, printmaking and art installation. Her work involves the scope of dissecting agents of socialization and habits dealing with but not limited to memories, environment and systems of daily life. She is the co-founder of Fetterfield, Singapore Performance Art Event, a site specific performance art festival (founded in 2006) and Your Mother Gallery, an alternative art space in Little India (founded in 2004). She has also been a committee member of The Artists Village since 1998.
Wang Ruobing was born in Chengdu, China and lives and works in Singapore. Comprising installation, sculpture, photograph and video, Wang’s work has a contingent quality that is underlined by the mindful representation of everyday activities. Her materials and subjects are often simple, everyday objects and things, but wittily resonant of the issues relate to consumption and the growth of knowledge. Solo exhibitions include The Earthly World, The Ruskin School of Drawing and Fine Art, Oxford (2010); Eat Me, The Dolphin Gallery, Oxford (2009); Seeded I, The Substation Gallery, Singapore (1999).
Margaret Tan is currently a Fellow and Director of Programmes at Tembusu College, National University of Singapore (NUS), and the co-director of the NUS Art/ Science Residency Programme. She holds a PhD from the Department of Communications and New Media, National University of Singapore, a BFA from RMIT/LASALLE College of the Arts, and an MA in Interactive Media and Critical Theory from Goldsmiths College, University of London. Her works using a wide range of media had been showcased both locally and internationally. Margaret engages art now as a teacher and administrator but she hopes to return to her art practice some time in the future.
Tan Liting works full time as a theatre practitioner with an interest in devising performance from personal stories. Liting is also a founding member of Theatre Cell. Her past directorial credits include Taking The Subs (The Substation Director’s Lab), The Eulogy Project I: Muah Chee Mei and I (Potluck Productions), (When I’m) Sixty Four (Ageless Theatre), Re: Almost Left Behind (Singapore Arts Festival 2011), Almost Left Behind (NUS Thespis). Liting likes conversation, hearing and telling a good story. Liting also likes guitars, sneakers and referring to herself in third person.
Chu Chu Yuan is a visual artist and researcher, born in Malaysia and currently based in Singapore. With Jay Koh on the iFIMA (International Forum for Intermedia Art) platform, she has been developing a form of relational art practice that is based on dialogue, exchange and negotiation. She maintains an individual practice, using soft sculptures, drawing, installation, performance, painting and photography to explore the performing body as a cultural subject and cultural practices as ‘scripts’ and ‘scores’. She is now with the Singapore Art Museum as Senior Manager of Archive, Library & Research.
Raksha Mahtani functions occasionally as a writer, researcher, spoken word poet and theatre practitioner. She performed, co-wrote and co-directed a spoken word show about queer experiences in convent schools called Mass Hysteria both at the Substation in January 2014 and at Indignation 2014. She teaches poetry and literature in schools and with various groups, including AWARE and Word Forward and performs as part of Sekaliwags. Her writing, both in poetry and plays, explores themes of social justice, gender politics, decoloniality. She recently ran a series of writing workshops focused on gender-based violence, and volunteers with Sayoni. Currently, Raksha is working on a documentation project on violence and discrimination against LBTQ people in Singapore.
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About the exhibitions
Curating Lab: Phase 03 presents three exhibitions put together by participants of Curating Lab 2014 working with a selection of artists: Song-Ming Ang, Chun Kaifeng, Amanda Heng, Kim Lim, Matthew Ngui and Shubigi Rao. Situated in tandem with one another, the exhibitions may be seen as a constellation of divergent views and curatorial interests glimpsed from the works and practices of these six artists. Building upon the potentials of multiple perspectives that these three exhibitions point towards is also the very porousness of exhibitions themselves in facilitating such encounters between one another.
For more information on Curating Lab:
facebook.com/curatinglab2014
curating-lab.blogspot.com
Conditions of Production is an ongoing project that seeks to pursue a field of enquiry situating objects and process within the complexities of artistic production and reception. To emulate the plurality of situations where artistic discourse may arise, this project calls attention to less tangible structures immanent in the creation of an artwork by adopting the multiple platforms of an exhibition, dialogue sessions, and an online repository of interviews and essays. The exhibition, as one part of a greater whole, examines these conditions by looking at the practice of three artists – Amanda Heng, Chun Kaifeng and Matthew Ngui. http://
Curated by: Bernice Ong, Samantha Yap, Kenneth Loe and Melvin Tan.
More:
http://
http://
conditionsofproduction@gma
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