Workshop | The Animate Image: Theorizing the Reproducible Image in Asia
Date: 3 - 4 December 2012
Venue: Lee Kong Chian Gallery, NUS Museum
The workshop is hosted by the Asia Research Institute,
with the kind support of NUS Museum, the Faculty of Arts and Social Sciences
at the National University of Singapore; and the Centre for Research and
Education in Arts and Media (CREAM) at the University of Westminster,
UK.
If seminal theories of film and photography emphasized formal specificity, recently scholars have drawn on media studies, anthropology and phenomenology to read these media against the grain, addressing an expanded field of 'visual culture'. Historicizing the reproducible image in Asia has required the excavation of cultural traditions stretching back beyond the arrival of photography. Whereas technologies of seeing (e.g. lenses, optics) and of representing (e.g. Realism, perspective) have been central to Western understandings of photo-media, in Asia, the latter partake of radically different pre-histories. They channel older cultures in locally specific ways; they reconfigure hierarchies of creative labour and redraw networks of dissemination. What is at stake for theory as it takes account of these contingencies? How do these mediations reorder the image's ritual and exchange values, or generate new ones?
This interdisciplinary
workshop will bring together leading theorists and historians of art,
photography, performance, film and video, addressing the multiple theatres
and mixed histories of the reproducible image in Asia. What kinds of
channeling does the animate image occasion? What are its capacities for truth
and fiction, for violence and protection, for subjection and sovereignty? And
what does it bring to contests over the past, to struggles of the present,
and to the imagination of Asia's futures?
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